Maurício investigates territory through the lens of the "não decorativo" (non-decorative). His work operates as an inventory of incidences and perceptions elicited by his surroundings. His pieces propose a shift of the gaze: they are divested of their primary aesthetic function to serve as evidence and stimulus, generating resonances within the observer. Positioned between technical inventory and personal interpretation, each work is a fragment of a scrutinized reality, printed on high-permanence media to transform ephemeral records into enduring reminders of the content they reveal.